Publishing

Amazon Responds re Review Erasures

The Library

The Library

My last post was an open letter to Amazon head Jeff Bezos. Today I got a call from an “Executive Customer Relations Specialist,” a nice young man who explained what he could find out about the incident. We talked about their review problems for some time, and I continued thinking about it long after (as usual.) So of course I couldn’t resist writing them a memo:

[This message is intended for Bnnnn Bnnnn, ECR, but I have no direct email for him.]

Bnnn —

Thanks for taking time out to talk today. Our conversation has triggered a lot more thought, and since I now know you may actually be able to convey some of what we’re thinking out here back to the people who decide these things, I am writing in the interest of improving Amazon and self-publishers’ cooperation.

Why You Should Listen To Me – Qualifications

[Various accomplishments and credentials omitted] I was one of your earliest customers, perhaps back around 1995, and I have been a big supporter, doing an increasing amount of business with you over the years. I managed the investments of [tech guy], founder of [bubble-era company name], during and after the dotcom bubble era, and came away with [large sum of money], so my book earnings in retirement are not critical to me — unlike some of my fellow authors, who depend on Amazon sales for much of their income, and are too afraid to speak up to you in public. In my role as portfolio manager, I became quite familiar with e-commerce and marketing.

Market Trends

Amazon is a key actor in the restructuring of publishing and general retailing, disintermediating and lowering the cost while increasing selection of goods. Books are especially suitable for this, since they are not commodities — each book and its reader/buyer have a different relationship, and there’s no simple linear scale like star ratings which can predict how satisfactory the book will be for that reader. Formerly publishers treated books like produce — with a big marketing buildup, often with paid or negotiated display space in bookstores, and a short shelf-life, with the unpredictable return rate adding to risks and costs. This led to fads and copying of trends, flooding the market with books similar to previous bestsellers and shutting out some quality books that were less commercially promising.

We understand why legacy publishers want ebook prices to be very high, often higher than print — they control the print model, which can be very profitable still, and want to slow the disintermediation restructuring, which leads to a world where they have a lesser role. This is damaging the quality of books produced by their system, and their low-paid lower level employees keep out a lot of fresh new perspectives, especially if they’re not in agreement with their politics.

The future is with online groups of readers who cross-recommend books to each other. Online communities are not likely to promote crap books like those that make up 95% of Amazon’s new books catalog. All of us online have our own reputations to guard, and we don’t push stuff on our readers that they are unlikely to like. Amazon needs to encourage this kind of community.

The Problem of Crap — Book Discovery in an Age of Excess

We all know you have too much bad material on Amazon — quite reasonably, how could you judge quality with an automated process?

When I started relying on Amazon for books, you emphasized your algorithm for recommending suitable books based on the ratings of the reader for other books they had read. This has disappeared, and you recommendations are useless now. I relied on the list of new science fiction books you made available, and bought from it based on author’s reputation, “institutional” reviews, and lastly customer reviews. This is not working at all now, as there are far too many new books, some of the best writers are self-published, and the Big 5 push less quality stuff; most small and self-pubbed writers can’t afford the delay and expense of Kirkus reviews, and the other big reviewers refuse to review us. The gatekeepers have narrowed the gate so much that many quality writers can’t get through. Meanwhile, voracious readers of genres like Mil-SF can’t find enough to read, and often end up buying low-priced books that are barely literate to keep their habits going. Genres like Romance and Mil-sf are a big part of your ebook sales, and are very poorly served by the Big 5 — not enough books in some niches are legacy-published to satisfy reader demand. This situation will only get worse as your review policies make it harder for us to meet that demand by making it harder for us to get new books off the ground with enough reviews to round out the customer’s knowledge of whether that book is likely to satisfy.

Misuse of Customer Data – Violating the Customer’s Trust

I respect Amazon as one of the most ethical companies, working hard to make the customer’s lives better. This image was gained by being exceptionally careful to fight for customers when short-term profits might have been easier by agreeing to supplier’s demands. You risk that image, though, when you use private customer data in the interest of anyone but that specific customer — it simply does not fly that you can trace customer’s relationships and injure them as a result of your desire to protect the review system’s integrity. Using customer data to inform that customer about products they might interested in is fine; using it to erase the reviews they spent time and effort to share on your system is damaging to customer trust and results in strange advice like “don’t send de minimis gift books via Amazon to your literary group, it will forever bar them from reviewing your work.” It’s quite creepy and damages your image, the kind of damage that eventually leads to government regulation or antitrust issues.

Better Ideas – Some Problems and Solutions

Problem — fake reviews, generally paid-for. If anyone can review a product at Amazon without proof of purchase, then there really is no way to stop this entirely. The two ends of the problem can be addressed: 1) any account that has generated unusual numbers of extreme positive or negative reviews can be warned, then barred from reviewing if it doesn’t stop, and 2) reviews from verified purchases can be given display and rating priority, which I understand you’re rolling out now.

Problem — Helping new authors get real reviews, because they absolutely have to have a way to distinguish their good product from the flood of crap. You are actively damaging us now, but you could implement a system allowing a book’s author to send out codes redeemable for review copies, then let the reviewer use that code when entering their review to give it the flag “This item was reviewed in return for a certified review copy.” This neatly solves two problems: our difficulty getting DRM’d review copies to reviewers, and your fear that we will only select favorable reviewers. The reviewers can be watched and rated using your account system, so that those who are good get higher weights, and those who regularly trash everything or five-star everything get low ratings. Currently NetGalley has this market sewed up, but at high prices most authors can’t afford — $150 or more per book. You should displace them and give more support to the small and self-publishers that are your future suppliers.

Problem — review “skew.” Where an author’s successive works get higher and higher ratings, because as a known quantity, those buying his/her books are more likely to be previous readers and fans who already like that writer’s work. I’m noticing that now, where the list of people who agreed to read the ARC of the third volume of my series tend to like my work already, and gave it a higher rating than a more randomly-selected previous groups which included more science-phobic readers. But this is actually not a problem; it is the expected result of consumer preference and a writer’s reputation. That writer clearly has readers who love that style, and if the rating attracts a new reader who hasn’t read the reviews and noted how science-heavy those books are, then that reader may be disappointed. But you’ve protected them as well as you reasonably can.

So, recommendations:

— As you are already doing, weight product ratings according to likely reliability of reviewers,
— Additionally rate reviewers themselves, to weed out the bad ones and give the best more weight in ratings.
Stop erasing reviews because of de minimis connections, which abuses your access to customer data. At most put a disclaimer tag on suspect reviews and underweight them in overall rating.
Implement a “review copy” code system, which authors can use to send out review copies. These reviews can be quality-controlled statistically and help good authors gain enough sales to eventually have a larger number of organic customer reviews.

These recommendations are based on the special nature of the ebook market, but some of them can also work for physical product reviews, like keeping ratings of reviewers as a weighting factor.

Open Letter to Jeff Bezos re Review Erasures

Another data point for the self-pubbed dealing with Amazon’s paranoid reviews policy. I uploaded the latest Nov. 25th, and by Dec. 1st had eight 5-star reviews from the 20 or so people I had emailed ARCs to. Amazon deleted the last three reviews, all posted on the same day, claiming they had found “associations” between the accounts. I suspect it is a dumb algorithm that assumes too many 5-star reviews too quickly must mean they are paid, and that Amazon is lying about it.

Here’s their boilerplate language:

We removed the Customer Reviews for your book because our data shows elements of your Amazon account match elements of the reviewers’ Amazon accounts. In these cases, we remove the reviews to maintain trust in our customer reviews and avoid any perception of bias.

Customer Reviews are meant to give customers unbiased product feedback from fellow shoppers. Because our goal is to provide Customer Reviews that help customers make informed purchase decisions, any reviews that could be viewed as advertising, promotional, or biased will not be posted.

Here’s my response:

I have read your guidelines thoroughly and note “family and *close* friends” is the standard you cite to disallow reviews. I share your desire that reviews be unbiased and fair across products. I question your commitment to achieving this goal when you will not remove obviously fake one-star reviews which have been posted by competitors or people who dislike the book’s author for political reasons.

First let me comment that I bring Amazon significant yearly revenue on my books, audiobooks, etc. My family also directly spends about $10K per year with you. You have set up an algorithm which uses poor guilt-by-association correlation data to intentionally wipe out the hard work of Amazon customers who take the time to review my works, which damages my perception of Amazon, and as we the authors make our stories known, will damage your other customers’ views of your company.

Self-pubbed authors must make more efforts to keep in touch with their fans to have any chance of succeeding in a marketplace dominated by legacy publishers who are allowed to promote their products by direct payments to Amazon. Your efforts to give small press and self-pubbed authors a way to advertise are complete failures. Amazon has allowed legacy publishers to overprice their ebooks, pay you for what appear to be endorsements, and game the reviews system with large numbers of paid reviews for their products.

Frankly I think you are lying. You have implemented a review-cancelling algorithm which in my case appears to have been triggered by “too many” 5-star reviews in a short time, since you cancelled the last three out of eight, and those three are fans of my writing, not family or *close* friends as you specify in your guidelines. I think it is just accidental that all eight of my first reviews were 5-star, though it’s possible it’s just that good a book.

You have damaged our relationship. I request a re-review and restoration of those three erased reviews.

The erased reviews, (all 5-star), and not a hyped or misleading one in the group:

1) Stephen Marino reviewed Shrivers: The Substrate Wars 3
I very much like the story – December 3, 2015

First let me start with the disclaimers.

1, I helped workshop part of this story at Taos Toolbox.
2. I was a beta reader of the completed work.
3. I very much like the story.

Because I am giving this story all five stars, let me state why you should not read it.
Do you like to think for yourself or do you want every little detail of what is happening spelled out for you? If you only like to read fluff, this is not your book. I am not saying, it is a hard read, just that it is many layered. Pay attention to the sub subtexts.

Do you only like to read books from authors who have no understanding of technology and the effects it can have on society? If so, there are lots of writers who don’t know what they are talking about.

Have you read the previous books in the series? If not, You will probably enjoy the book more, if you start with Red Queen and move on to Nemo’s World. The story stands alone nicely, but a bit of background can be a good thing. (You can’t unread book three before going back to read 1 and 2.)

What are the books about? Spoiler free, this universe is a big honking computer simulation and in about 20 years, a few university students begin learning to program it. The world is beginning to go in a very dystopian direction and war breaks out between the students and the world’s governments.

I know this has been said by everyone who has read this series, If you enjoyed Robert a. Heinlein, You will greatly enjoy this author.

2) Bookgirl reviewed Shrivers: The Substrate Wars 3
Engrossing addition to the Substrate Wars saga – November 30, 2015

Shrivers are coming.

Complex plotting, political intrigue, and a galaxy­spanning saga. Shrivers builds relentlessly to a climax filled with surprises. Kinnison weaves multiple plot lines, characters, and different planetary settings together adroitly, crafting a tale that will captivate and delight hard science fiction fans.

3) M. Cunningham reviewed Shrivers: The Substrate Wars 3
Captivating read – November 30, 2015

I was provided an advanced reader’s copy for review and found it to be a captivating and entertaining read. Mr. Kinnison has channeled his inner Heinlein to create a fitting wrap­up to the Substrate Wars trilogy. I was especially impressed by the creative use of Kat’s training in the virtual reality world of the substrate to create stories of how other aliens lived and reached the substrate. I would highly recommend this book to anyone who appreciates the golden age of science fiction.

1) Properly discloses the relationship with the author. But it is a competitive relationship, and he is not my friend, much less my close friend.

2) No idea who “book girl” is, probably one of the 8-10 book bloggers I sent an ARC to for review. Arm’s-length.

3) Fan who has reviewed previous books and so was willing to read the ARC. Gave the previous books 4-stars, so not a pushover.

So stop lying about supposed “elements matching” — no such elements exist, though in the case of #3 I sent him a paper copy so that might appear in your search. The others have NO CONNECTION WHATEVER in account records.

Stop lying. Restore the reviews. Or authors and readers will turn on you. Why should customers make an effort to review books when you may arbitrarily erase their work?

A comment on Facebook:

I’m guessing they don’t want to admit that one of their computer guys has run a correlation study and suggested a simple “too-many-five-stars-too-quickly” screen. That might cut fake reviews down, but also cuts legitimate ones. And it’s embarrassing to admit they can’t come up with something more sophisticated. People are worried about them tracing Facebook and email list connections, but I’m pretty sure they have no access to that data… and apparently authors signed up with Amazon press labels are immune (hi, Robert Bidinotto!)

copied from createspace groups:

10. Aug 5, 2015 11:32 PM in response to: lipmag
Re: Amazon reviews – petition

The issue I have with Amazon’s review policy is that it does not accurately apply across the board. Yes I understand the need to ensure authors are not padding reviews otherwise the reviews will hold no value to the potential customers however, with my latest release Amazon Amazon randomly decided to remove 2 reviews generated through ARC releases. The only response given when queried as to why was that the reviews violated policy because they believed the reviewers knew the author. They knew of the author, obviously, but these were not friends and family. Additionally, upon review of the posted Reviewer Policies the only sections that could apply (though they do not) are

• Sentiments by or on behalf of a person or company with a financial interest in the product or a directly competing product (including reviews by publishers, manufacturers, or third-party merchants selling the product)
• Reviews written for any form of compensation other than a free copy of the product. This includes reviews that are a part of a paid publicity package

The reviewers were not compensated nor do they have a financial interest. This brings me to my original point. They do not apply the guidelines across the board. I have never heard complaint from a large publisher that an ARC review was subsequently removed. In fact, many large publisher purchase reviews as part of their marketing plan (a direct violation of the above guidelines) and those reviews are rarely, if ever, pulled.

The entire process seems to a) not follow the published restrictions and b) be enforced in a discriminatory fashion. In my experience questioning Amazons decision or pointing out that the guidelines were not broken has no effect. In the end the do as they please.

— R. C. Butler – Bulldog Press

Other stories on the topic:

Amazon Review Policy Under Fire: Indie Authors Call For Change In ‘Big Brother’ Policing

Amazon’s Review Policy is Creepy and Bad for Authors

Amazon… A virtual marketplace, or Big Brother?

Petition on Change.org – Change the “You Know This Author” Policy

“Shrivers” First Reviews

Shrivers: The Substrate Wars 3

Shrivers: The Substrate Wars 3

So far the reviews are mostly from people who read the less-polished advance reader copy I sent out. Here they are as of today — all five-star, which is a little offputting. The sample is skewed because these are readers who really liked the first two, so I expect new readers will be less kind!

Engrossing addition to the Substrate Wars saga
By Bookgirl on November 30, 2015

Shrivers are coming.

Complex plotting, political intrigue, and a galaxy-spanning saga–Shrivers builds relentlessly to a climax filled with surprises. Kinnison weaves multiple plot lines, characters, and different planetary settings together adroitly, crafting a tale that will captivate and delight hard science fiction fans.

Captivating read
By M. Cunningham on November 30, 2015

I was provided an advanced reader’s copy for review and found it to be a captivating and entertaining read. Mr. Kinnison has channeled his inner Heinlein to create a fitting wrap-up to the Substrate Wars trilogy. I was especially impressed by the creative use of Kat’s training in the virtual reality world of the substrate to create stories of how other aliens lived and reached the substrate. I would highly recommend this book to anyone who appreciates the golden age of science fiction.

Be careful what you wish for
By Rich on November 29, 2015

The third book catches up with what we’ve been wondering from the start– where is everybody else? The riddle of the Fermi Paradox is resolved, but the answer makes them wish they’d never asked the question. The limits of the seemingly unlimited new technology are revealed, with multiple major plots lines racing to meet where not only is humanity’s future at stake, but the soul of the universe. Kinnison handles the tasks with a tight focus and new characters, a thoroughly enjoyable conclusion to the series. (Note this review is for an advanced reader’s copy provided by the author.)

Just Survive Somehow
By Stan on November 28, 2015

(The review title is an Easter egg for TWD fans.)

The Substrate Wars continue with the third book in the series, and now the stakes are raised even higher: the potential destruction of all earth-based life! While looking for other civilizations, our heroes find nothing but devastation, utter and complete destruction. Planets nuked so thoroughly that the survival of anything but low-level deepsea-dwelling organisms is rendered impossible. Formerly advanced civilizations: gone, utterly wasted, from millions of years earlier to only a few hundred. This is a mystery to them until they unwittingly make themselves known to the Shrivers, a force reminiscent of Saberhagen’s Berserkers. Even though earthmen are now distributed in colonies dispersed about the galaxy, nevertheless they are all at risk, not only from the Shrivers, but from an unexpected early personal enemy. To find out if and how they survive this latest menace, read Shrivers! The action which some felt lagged a bit in the second book is back with a vengeance in the third book and now we have to await a fourth (and more?) book to find out what happens next.

An Excellent Ending to an Great Series!
By Joseph F. on November 27, 2015

When Jeb offered me the chance to take a look at the third book in his trilogy before it was released, I was thrilled to take him up on it.

I loved the first book, had a few minor quibbles with the second one but was absolutely astounded by the third book. I know, I reread it two times trying to knock holes in it knowing that if I found anything, Jeb would immediately address the issues, making it that much better.

Even after going back and rereading the whole series, I was not able to find anything at all that did not ring right. I looked hard and didn’t find a darn thing that I could jump on.

By far, this is the best book of the series–not that the other books aren’t excellent and I am one of those many readers who can really hardly wait to see what Jeb has in store for us in the future.

Hard science, and good action
By Donald W. on November 27, 2015

This review is based on a pre-release beta, some things may change in the final edition, I’ll let you know after Tuesday Dec 1, when the book is delivered 🙂 As Volume 3, most of you interested have read the first two, but if you are new to Jeb’s writing, I think you can jump in with this one cold. With the 10 year ‘hiatus’, since the first two, the plot will flow, but you will miss all the incredible speculative hard science of the first 2 books.

With that said, there is a lot of incredible speculative hard science in this one, not predicated on the originals, but supplement and extending it. Oh, and the plot just sings along, an interwoven tapestry of people, places and events that come together for the exciting conclusion (until Vol 4, which you should, along with me demand Jeb write soonest).
Without spoilers, the Shrivers kill civilizations, but the ancient civilizations do indeed exist. A fascinating speculation into the Fermi Paradox, it is entertaining as well an interesting take to an old problem we have been kicking around for a hundred years.

The galactic saga continues….annihilation or redemption
By Michael Z on November 27, 2015

I have read the previous two books in this series and really enjoyed reading them. This is the third, and it is a real page turner as well. These are my favorite type of scifi stories, non-stop action, twisting plot, space travel, technology and grand social implications. Every time one crisis is resolved another bigger one takes its place.

Jeb has grown the story to be galactic in scope. Finally, aliens have started to get involved. And they are taking sides. The stakes have gotten really big, total annihilation or redemption.

FREE until Friday: “Red Queen.” Holiday sale on Substrate Wars

Shrivers Kindle Cover

Shrivers Kindle Cover

The Kindle versions of Substrate Wars books are on sale until Friday — FREE for Red Queen, $0.99 for Nemo’s World, and $2.99 for the just-released Shrivers. Similar bargains are available in some non-US Amazon sites.

Too bad I can’t offer a similar discount on the trade paperbacks, but the bundle of three makes a good gift for your STEM graduate friends or relatives who like thrillers with heroic scientists — c. 1000 pages of fun reading.

Heinlein Bust Time-Lapse Video



The Heinlein bust to be displayed in the Missouri state capitol’s “Hall of Famous Missourians” is in progress, with a planned unveiling in 2016 and possibly an appearance at the Worldcon in Kansas City that August. The piece is being done by E. S. Schubert, whose site is worth a look. The results are a good likeness of late-stage Heinlein, and I’m happy to see it coming together.

I wrote about my donation here. My donation was only about 20% of the funds required, but I was happy to put it over the top so work could begin early enough to get it to KC in time.

[Jeb Kinnison writes at JebKinnison.com and SubstrateWars.com, and his second science fiction novel, Nemo’s World, is “well-written science fiction that harkens back to the golden age of Heinlein and Asimov.” — IndieReader.]

“Fear is the Mindkiller” – Published at Tangent Online

Dune cover art by Henrik Sahlstrom

Dune cover art by Henrik Sahlstrom

Tangent Online has published my essay on culture wars in science fiction here. A key paragraph:

A significant chunk of the population is still guided by the sentiment that women are weak and need more protection. These people are the Baptists in a bootleggers-and-Baptists coalition that unites to give statists more and more power to meddle and regulate, with the bootleggers being political parties that use these sentiments to justify their social engineering. Every new law and regulation is an opportunity for graft and extracting campaign contributions from businesses who want to be left alone or mold the law and regulations to hurt their competitors more, and every new edict (beyond dealing with obvious externalities like pollution) decreases the total wealth and growth rate of the economy. Politicians whip up fear — fear of terrorists, illegal immigrants, “the 1%,” sexist men, authoritarian Christianists, whatever works — to gain power, and then shy away from any actual solutions so they can repeat these emotional hooks for the next election. “Fear is the Mindkiller” — make someone afraid, and you weaken their reasoning power.

“Shrivers: The Substrate Wars 3”: First Look

PrintCover6x9v1_975x698

Based on feedback from workshopping it at Taos, I’ve rewritten the opening of Shrivers: The Substrate Wars 3. The book won’t be done for months, but if you want a preview, here it is in PDF format: Shrivers First Look. Now if I could only find an agent or publisher!

For Some Writers, Only the “Political Now” Matters

Ancient SF

Ancient SF

One thing that’s lacking among our progressive brethren is humility, a sense of what they don’t know and should not try to fake knowing. They are ahistorical and programmed by a faith-based belief system (for example, the faith that “all gender roles are social constructs with no biological basis.”)

So you suggest gently to a young writer that they should not try to write science fiction without understanding the science well enough to project it plausibly. Especially if the writer is a young woman, she will protest and say something implying science is also just a social construct, meaning “whatever I feel it should be, it is.” Or ask that historical novels be reasonably well researched and plausible — which is asking too much for some. They believe it is unfair to criticize some people for writing implausible or inconsistent stories, because by doing so you are discriminating against them and interfering with their right to succeed. Ultimately, of course, readers determine what is read, but by influencing what is promoted and made available at retail, progressives are insuring readers get less of what they want and more of what the nomenklatura think is good for them. And these literary-progressive writers are encouraged by academia and grants to think their status entitles them to success as writers — and while the very best of them will be successful writers, the majority will not be read by anyone outside their mutual support group.

Initially science fiction was about future science and the reactions to it from individuals and societies not too different from those of the day. Then the New Wave introduced a greater emphasis on imagined future or alien societies with quite different motivations and systems — when well-done, the rules of the imagined societies were plausibly projected from the biological, social, and economic motivations of the members of the society. In fantasy, you again had plausible workings-out of magic systems, fantasy entities, and societies of elves and the like. It’s the working out and understanding of the story problems presented by an imagined plausible world that expands the mind and increases understanding of very different Others.

If stories include mostly characters who behave as modern progressives think they should, any broadening effect is lost. Modern taboos and habits of thought were developed to match a modern milieu, and it is wrongheaded and anti-diversity — a variety of cultural imperialism! — to imply that people of the past and future would adopt and benefit from current ideas of “correct thought.” This error is a variety of presentism — applying standards of the current day to past and future societies.

Progressives accept an alien biological imperative and will sit still for stories where, say, the male sex of the G’Tharr are confined to their homes but no one in their society is especially interested in equality. But when the society is recognizably human, then suddenly the correctness goggles appear, and characters who behave like the perceived recent enemies of their tribe are not tolerated.


Death by HR: How Affirmative Action Cripples OrganizationsDeath by HR: How Affirmative Action Cripples Organizations

[From Death by HR: How Affirmative Action Cripples Organizations,  available now in Kindle and trade paperback.]

The first review is in: by Elmer T. Jones, author of The Employment Game. Here’s the condensed version; view the entire review here.

Corporate HR Scrambles to Halt Publication of “Death by HR”

Nobody gets a job through HR. The purpose of HR is to protect their parent organization against lawsuits for running afoul of the government’s diversity extortion bureaus. HR kills companies by blanketing industry with onerous gender and race labor compliance rules and forcing companies to hire useless HR staff to process the associated paperwork… a tour de force… carefully explains to CEOs how HR poisons their companies and what steps they may take to marginalize this threat… It is time to turn the tide against this madness, and Death by HR is an important research tool… All CEOs should read this book. If you are a mere worker drone but care about your company, you should forward an anonymous copy to him.

 


Sunday Pimping

Red Queen: The Substrate Wars 1

Red Queen: The Substrate Wars 1

Ah, “pimp Sunday.” Another fine tradition that starts today!

I got back from Taos Toolbox three weeks ago. It was interesting meeting people mostly going the tradpub route, working hard to get short fiction into publications. It was suggested I need to write some short stories to get my name known, so I wrote one, which has so far survived the winnowing process at a new ‘zine, Mothership Zeta, which looks like it’s going to be a fun read.

Also interesting to learn that even what I would consider to be proven great writers — Walter Jon Williams and Nancy Kress, who ran the Toolbox — have trouble getting and keeping good agents and publishers. Walter is now doing well self-publishing his backlist, but even he has difficulty getting major projects off the ground. Meanwhile, Nancy (a self-described pantser, meaning she doesn’t plot out a book in advance) has written one good novel she can’t get published, and despite winning a Nebula for her latest novella and being one of the better-liked writers around, has a spotty record in getting publisher support.

The takeaway lesson is that changes in the publishing business are pushing writers into self-publishing, where at least they have a chance at making a living if they work hard and develop a deep backlist. The total revenues in conventional SF&F publishing are stagnant or falling, and new markets like media tie-ins, flash fiction, and new venues like phones for reading are where many of the readers have gone. There’s a great hunger for SF&F works in developing countries, and anyone looking ahead has to consider getting their work out in Simplified Chinese and publishing with some of the phone media platforms out there. Which all ties in to the Hugo controversy, where a tiny US-centric group has defended their award as “the best of SF&F” but retreat to “what Worldcon-going fans (less than two thousand voting each year before 2014) think is best” when questioned closely.

But wait, I’m supposed to pimp my work here. My current series, The Substrate Wars, is about a group of libertarian-ish students who discover that the universe runs on a computational substrate, and by hacking the substrate with quantum computers, they can create not only quantum gateways to anywhere, but weapons of unimaginable power and replicators that can end material shortages for everyone. They are pursued by Homeland security and the intelligence agents of many nations before they escape to a New Earth, then work from there to free Earth’s people from their security and surveillance states. Working out how you would actually do that while doing minimal damage was a lot of fun.

My Taos readers found the going a bit rough on the start of the third book, tentatively called “Shrivers.” So I’m reworking the beginning to provide a stronger narrative line. OTOH, several spontaneously commented they thought the series would make great movies (based on the synopses I had prepared.) So I’m working on that now, heading to the Calliope Workshop, a new weekend seminar at UCLA meant to introduce new writers to agents and publishers interested getting liberty-oriented stories into pop culture outlets like movies.

The “logline” started out as a single-sentence description encapsulating the setting, protagonist, story problem, antagonist, and goal, which would be hand-written on the spine of a script or in the reading log as an executive summary. The idea is to demonstrate the basic appeal of the story so that a decisionmaker can quickly reject it if it doesn’t work for their purposes, or ask for more if it does. Time is short and no one in the industry has time to do more than reject 99% of what’s presented to them as quickly as possible. So remember the lesson of Powerpoint’s dominance: you only have a few seconds to get someone interested enough to stop for your work.

Loglines for the Substrate Wars books:

RED QUEEN

In a near-future US surveillance state, California college students invent quantum gateways and have to fight Homeland Security to gain their freedom on a new planet.

http://amzn.to/1Idwmx1

NEMO’S WORLD

From their base on a new planet, freedom-fighting techno-rebels use their discovery of quantum gateways to steal all the world’s nuclear weapons and bring down Earth’s oppressive governments.

http://amzn.to/1IibqTw

SHRIVERS

As humanity expands to new colony planets and enjoys a Golden Age of peace and prosperity, the new government has to fight a fleet of robotic destroyer ships to save humanity from extinction.

[In progress: release date around November 2015]

One of my earlier books on applying attachment theory to relationships and mate-seeking is still free today: http://amzn.to/1IibPVO

Hugos, Sad Puppies 3, and Direct Knowledge

Sad Puppies 3

Sad Puppies 3

We all have mental models of other people in our heads which help us navigate social relationships. These are not always reliable, and our heuristic judgments about superficial characteristics may be unfair; like my mental rule to cross the street to avoid getting close to younger males when walking in late 1970s Manhattan, such rules may reduce loss and assist in survival while harming some of those judged unfairly.

The Sad Puppies campaign to open up the Hugo nominations to a more diverse group of writers and artists than seen recently has been tarred and accused of racism, sexism, and homophobia by careless yellow journalists acting on behalf of their friends and associates. From my direct interaction with many of the people so accused, I can say the accused are no more bigoted than any of us with our subconscious associations and heuristics, and less than many of the accusers, who seem to believe superficial characteristics automatically make their carriers likely thought criminals.

I can only testify to what I myself have seen directly. This is my testimony.

I was born in Kansas City, Missouri, and grew up North of the River in a middle-class suburban area where “diversity” consisted of a small number of Catholics amidst a sea of white Protestants. Jesse James’ family farm was nearby, and the town of Liberty, where Mormons were jailed prior to being driven out. Independence was just across the Missouri River, and was considered the location of Paradise by many Mormons; the schism from the LDS group that left for Utah still has their big headquarters there, and Harry Truman’s home is nearby. I’m pretty sure I saw him lurking near my school group once when we visited the Truman Presidential Library.

My father was a troubled man who was born in western Arkansas and grew up in Visalia, California, after his family left during the Okie migration. He was fractionally Cherokee and all poor, and the family is said to have lived in a tent under a live oak while his father was in prison and his mother turned tricks. His sister committed suicide after being raped, and he himself may have been assaulted, because he was sent to live with a succession of aunts in places like Monterey and Los Gatos. He escaped into the Army and served a short period at the end of WW2. He met my mother while he was posted at Ft. Riley in Kansas, where KC was the nearest big city.

They married and moved to Downey, near LA, where my father worked at an aircraft plant and my older brother played with balsa airplanes. My father had a tendency to drink away his paycheck and all was not well; my mother moved back to KC when my father was called to Korean service, and when he got out he joined her and began a TV repair business. I was born, and my father started to spend time with Pentecostalists. I can remember being taken to tent revival meetings when I was four, running up and down the aisles, and seeing my father guest preaching and laying on hands to heal. By the time I was five, he had gone whole hog into preaching, and my mother and his friends agreed he was going off the deep end, hearing voices and imagining himself the carrier of God’s message.

Paranoid schizophrenia was the diagnosis, and years of going in and out of VA mental hospitals, shock treatments, and early antipsychotic medications were even more disabling. It was a relief by then to have him gone from our lives, and my mother went back to work as a secretary for the railroad, where she stayed for thirty years.

She was forced to be thrifty, and she would take me shopping down in the racially-mixed Troost shopping district off the Paseo where the bargain stores clustered. I had started to read science fiction, beginning with Tom Swift, working through Andre Norton and the Heinlein juveniles, and devouring all the adult SF in the library. Troost had a used bookstore full of SF paperbacks from the 50s and 60s, and I bought and read hundreds of them. By the time I was ten I had read most of the classics, and while I may not have understood all the adult themes, I could recognize the elemental power of Bester’s The Stars My Destination and revere Heinlein for his avuncular presence and moral guidance; I sometimes think he is more responsible for my sense of right and wrong than any of my church or school training.

The furious consumption of books continued, and I was checking out ten or more a week and reading most of them, in SF and every subject, lashing them to the back of my bicycle on the way to a from the library. I noticed the section of telephone books in the reference section, and figured out how to look up some of my favorite authors; I called Isaac Asimov and Robert Silverberg when I was 11 on the pretext I was doing a paper, and Asimov especially was kind and encouraging.

When I was 12, I started what is now called middle school, then known as junior high school. Seventh grade was a rude shock and I didn’t like the crudeness or the level of teasing, not so much of me but of others around me. What had been a civilized society became a rough and tumble struggle for survival, so I came up with excuses for not going, so much so that I was considered a truant. My mother was told I had to either be put into a treatment plan or be committed to juvenile hall, the county jail for children.

So that’s how I ended up in a private psychiatric hospital, where the 16-year-old girl down the hall tried to slit her wrists while I was talking to her. Once I was being presented to a group of psychiatrists and students and the chief psychiatrist asked me what my dreams were about; I said something about interstellar empires, and he replied, “interstellar ejaculations, more likely!” The video cameras hiding behind mirrors while I’m being interviewed, the medical students, and the psychologist who wanted to have sex with me (remember, I’m 12!) — quite the early education.

Eventually I agreed to go back to school, turning down a residential scholarship from Pembroke Country Day (the only rich private school I had ever heard of) to return to my old school and survive it all. Because I had missed so much time, the English teacher decided she would make a point of failing me, so I had to go to remedial summer school that year, when in previous years I had gone to enrichment summer school with the best and brightest. The kids who had flunked out were kind to me if a bit rough, an experience which maybe our SJW friends have never had — the loyalty and kindness of the lower class “failures” more reliable, and maybe more honest, than the behavior of cliques of the cool kids.

I started to play the game of points, earning higher and higher grades and keeping track of what was expected of me rather than exploring what I wanted to explore. In high school, I had a crush on a boy with a moustache who was going to MIT, so I turned down Caltech and went there, too. At MIT, I continued reading SF and had more trouble keeping up with boring classes, which I would just stop attending, but still managed to pass most by exam or last-minute work. I stayed away from the Science Fiction Society, not wanting to be absorbed when I was barely able to keep up anyway.

This set a pattern; when I started to work at BBN on supercomputers for AI research, I was warned to stay off Usenet and avoid getting embroiled in the endless flamewars. I now know that those people were the same ones now arguing over degrees of oppression and combing through everything they read for items to be offended by. I wanted to accomplish real things, not argue over correctness. My work was indirectly funded by DARPA, and I can recall being in a grad school class at Northeastern where the prof suggested he would be disappointed if any of his students ever did research for the DoD, for war machines — he considered it unethical. I spoke up to ask what would happen if all ethical students refused to do defense research while Congress continued to fund it, a la Star Wars missile defense — wouldn’t that result in less-capable researchers and engineers doing the work, without ethics or moral sense, building our defense systems? He did not have a satisfactory answer.

I had several other careers before retiring: software engineer doing systems to automatically fix Y2K COBOL code, subdivision developer, portfolio manager. I read SF in my free time, but never got involved with “fandom” until I went to the Worldcon in San Jose in 2002, which was just a short drive from my house in Sunnyvale. I went two different days, I think, and saw things like the huge line to have books signed by George R R Martin, China Miéville eating lunch by the fountain, and some good sessions with my favorite authors, like Lois Bujold. No one spoke to me and I didn’t interact much, but it was interesting, and I was reminded of our square dance convention, with its aging dancers and lack of younger people — most of the people under 40 seemed to be children with their parents. I don’t recall being asked to vote for the Hugos but then I may have registered late.

Last year when I set out to write some SF myself, I looked around online to see who was there, and ran into the Sad Puppies, who I generally like. I was made uncomfortable by the dogma and judgmental bombast of people like David Gerrold, and more comfortable with the individualists and ex-military sorts who have been left out of recent fandom as it has pursued social progressivism over story. I knew I had been entertained by Scalzi’s Redshirts but was amazed when it won the Hugo for best novel, and I bought and read Ancillary Justice just to see if it was truly one of the best — and it wasn’t. The almost-fatal flaw of a slow and unrevealing first few chapters was bad enough, but even when the plot began to move, there was little to distinguish it from hundreds of similar stories; it felt like a me-too, B-grade novel, and confirmed for me that promotion by political activists and academics was what was getting rewarded now.

I also interacted with dozens of agents and publishing types, and noticed that most are young and come out of academic progressive backgrounds; they want to change the backward population of readers by promoting stories that will uplift the reading population to hold the correct attitudes. This is part of their identity and motivation — they see themselves as specially gifted with the True Knowledge, and their role in proselytizing for new gender theory, third-wave feminism, and other cultlike replacements for Puritan religion is the psychic reward compensating for the low salaries and limited advancement in the field. The insider writers that have gained from this adopted the protective coloration of progressive social warriors, and continue to benefit from legacy publishing favor and mainstream PR despite declining sales; anything in SF which is promoted by the New York literary establishment, NPR, and mainstream media is now litmus-tested for correctness, but often inferior for enjoyable and inspiring reading.

So I think the vast majority of readers have never been involved with fandom, a tiny sect which is less and less related to mainstream SF and especially the new formats of movies and video games. The in-group claims to be upholding literary standards, but what they are upholding is in-group privilege and comfortable orthodoxy. Writers that work to gain their favor and bow to their political concerns will get awards, others won’t.

What will happen now? I will read the nominees and vote up the best regardless of politics or faction. And if the results are high-quality winners, the Hugos will begin to return to greater participation and greater value as a signal of good reading. If the Worldcon people succeed in closing the awards to outsiders — as many of them seem to be plotting to do — then the Hugos will become the awards of a small clique, and some other more representative organization should start something new.